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Product Details
The Help (Movie Tie-In)
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Product Description
Three ordinary women are about to take one extraordinary step. Twenty-two-year-old Skeeter has just returned home after graduating from Ole Miss. She may have a degree, but it is 1962, Mississippi, and her mother will not be happy till Skeeter has a ring on her finger. Skeeter would normally find solace with her beloved maid Constantine, the woman who raised her, but Constantine has disappeared and no one will tell Skeeter where she has gone. Aibileen is a black maid, a wise, regal woman raising her seventeenth white child. Something has shifted inside her after the loss of her own son, who died while his bosses looked the other way. She is devoted to the little girl she looks after, though she knows both their hearts may be broken. Minny, Aibileen’s best friend, is short, fat, and perhaps the sassiest woman in Mississippi. She can cook like nobody’s business, but she can’t mind her tongue, so she’s lost yet another job. Minny finally finds a position working for someone too new to town to know her reputation. But her new boss has secrets of her own. Seemingly as different from one another as can be, these women will nonetheless come together for a clandestine project that will put them all at risk. And why? Because they are suffocating within the lines that define their town and their times. And sometimes lines are made to be crossed. In pitch-perfect voices, Kathryn Stockett creates three extraordinary women whose determination to start a movement of their own forever changes a town, and the way women—mothers, daughters, caregivers, friends—view one another. A deeply moving novel filled with poignancy, humor, and hope, The Help is a timeless and universal story about the lines we abide by, and the ones we don’t.Product Details
- Amazon Sales Rank: #5 in Books
- Published on: 2011-06-28
- Original language: English
- Number of items: 1
- Dimensions: .88 pounds
- Binding: Paperback
- 544 pages
Editorial Reviews
From Publishers Weekly
Starred Review.
Four peerless actors render an array of sharply defined black and white
characters in the nascent years of the civil rights movement. They each handle a
variety of Southern accents with aplomb and draw out the daily humiliation and
pain the maids are subject to, as well as their abiding affection for their
white charges. The actors handle the narration and dialogue so well that no
character is ever stereotyped, the humor is always delightful, and the listener
is led through the multilayered stories of maids and mistresses. The novel is a
superb intertwining of personal and political history in Jackson, Miss., in the
early 1960s, but this reading gives it a deeper and fuller power. A Putnam
hardcover (Reviews, Dec. 1). (Feb.)
Copyright © Reed Business
Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
In
writing about such a troubled time in American history, Southern-born Stockett
takes a big risk, one that paid off enormously. Critics praised Stockett's
skillful depiction of the ironies and hypocrisies that defined an era, without
resorting to depressing or controversial clichés. Rather, Stockett focuses on
the fascinating and complex relationships between vastly different members of a
household. Additionally, reviewers loved (and loathed) Stockett's
three-dimensional characters—and cheered and hissed their favorites to the end.
Several critics questioned Stockett's decision to use a heavy dialect solely for
the black characters. Overall, however, The Help is a compassionate,
original story, as well as an excellent choice for book groups.
From Booklist
Jackson,
Mississippi, in the early 1960s is a city of tradition. Silver is used at
bridge-club luncheons, pieces polished to perfection by black maids who “yes,
ma’am,” and “no, ma’am,” to the young white ladies who order the days. This is
the world Eugenia “Skeeter” Phelan enters when she graduates from Ole Miss and
returns to the family plantation, but it is a world that, to her, seems ripe for
change. As she observes her friend Elizabeth rudely interact with Aibileen, the
gentle black woman who is practically raising Elizabeth’s two-year-old daughter,
Mae Mobley, Skeeter latches ontothe idea of writing the story of such fraught
domestic relations from the help’s point of view. With the reluctant assistance
of Aibileen’s feisty friend, Minny, Skeeter manages to interview a dozen of the
city’s maids, and the book, when it is finally published, rocks Jackson’s world
in unimaginable ways. With pitch-perfect tone and an unerring facility for
character and setting, Stockett’s richly accomplished debut novel inventively
explores the unspoken ways in which the nascent civil rights and feminist
movements threatened the southern status quo. Look for the forthcoming movie to
generate keen interest in Stockett’s luminous portrait of friendship, loyalty,
courage, and redemption. --Carol Haggas
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